Journal of Fine Arts: Performing Arts & Music

Afhami, Reza The Origins of the Formation of Graphic Notation in John Cage’s Works [Volume 23, Issue 4, 2018, Pages 17-28]
Afshar, Hamidreza A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
Aghagolzade, Ferdos Dramatization of Radio Shows and the Capacities of Language and Gender [Volume 23, Issue 4, 2018, Pages 57-66]
Ahmadi Zavieh, Seyed Saeed Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
Andalib, Sarah Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
Aramfar, Homayun Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
Aref, Mohammad Finding out Iranian 1500-years animation thought at Tagh bostan of Kermanshah, [Volume 23, Issue 2, 2018, Pages 15-22]
Ashrafian, Marzieh The Search for Identity of Puppet by a Philosophical Approach [Volume 23, Issue 1, 2018, Pages 69-76]
Azadehfar, Mohammad Reza Designing Music Tourism Packs [Volume 23, Issue 1, 2018, Pages 77-86]

Bani Assadi, Nasrin A Glance at the Development of the Function of Music in Jewish Religious Life [Volume 23, Issue 1, 2018, Pages 47-55]
Binayemotlagh, Said Cinema Aesthetic View Point of Plato and Aristotle [Volume 23, Issue 1, 2018, Pages 57-68]
Booban, Negar A Study in Organology; Structure of Oud ( Barbat) in Sassanid, Ilkani-Teymoorid and Safavid era, Iran [Volume 23, Issue 3, 2018, Pages 77-85]

Djoz Ramezani, Amirhossein The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]
Dolatifard, Maryam A Study in Organology; Structure of Oud ( Barbat) in Sassanid, Ilkani-Teymoorid and Safavid era, Iran [Volume 23, Issue 3, 2018, Pages 77-85]

Esmaeili, Ahmadreza An Analysis of Literary and Philosophical Origins in Wagner’s Operas [Volume 23, Issue 1, 2018, Pages 25-34]

Fakhr, Iman The Effectiveness of Rational-Emotional Group Training on Amateur Musicians’ Performance Anxiety [Volume 23, Issue 4, 2018, Pages 29-36]
Fallah, Hoda A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
Fatemi, Sasan From the Wedding Festivity to the Music School: Master Apprentice System and Changes in the Methods of Transmission of Tradition in the Ashiq Poetic-musical Art [Volume 23, Issue 3, 2018, Pages 67-76]

Ghahramani, Mohammad Bagher Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
Ghanbari Ahmadabad, Hosein Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
Gilabadi, Shahram A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
Giyahchi, Nabiallah Deconstructive approaches to the concepts ofhistory,legend ,death and place in the movie “Green Fire”by Mohammad Reza Aslani [Volume 23, Issue 3, 2018, Pages 37-48]

Heidarian Korouyeh, Mehdi Analyzing Song Scenes in Musical Films Based on Structuralist Narratology [Volume 23, Issue 1, 2018, Pages 13-23]
Hosnaee, Mohammadreza Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
Hosseini Shakib, Fatemeh Analyzing Song Scenes in Musical Films Based on Structuralist Narratology [Volume 23, Issue 1, 2018, Pages 13-23]

Kamalinia, Farzin Analysis of the Visual Structure of Farhadi’s Films (With analysis of About Eli, A separation and The past) [Volume 23, Issue 4, 2018, Pages 37-46]
Kashef, Sohrab A Rhythmic analysis on Igor Stravinsky`s The Rite of Spring revised 1947, Rehearsal Numbers 1 to 55 [Volume 23, Issue 2, 2018, Pages 41-48]
Keshmiri, Maryam The Social Status of the Musician in Safavid Reign Based on Sultan Mohammad’s Allegory of Worldly and Otherworldly Drunkenness [Volume 23, Issue 2, 2018, Pages 23-34]
Khorrami Bonaraki, Anahita Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
Kimiavi, Yasaman Natural structure of reed cane and its effects on performance of woodwind reed instruments [Volume 23, Issue 2, 2018, Pages 35-40]

Masoudi, Shiva The Search for Identity of Puppet by a Philosophical Approach [Volume 23, Issue 1, 2018, Pages 69-76]
Mazaherian, Hamed Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
Mirjaberi, Zahra Cinema Aesthetic View Point of Plato and Aristotle [Volume 23, Issue 1, 2018, Pages 57-68]
Mokhtari, Mehdi Improvisation in Iranian Classical Music based on Transcendental Phenomenology [Volume 23, Issue 4, 2018, Pages 67-74]
Motamedi, Mansour A Glance at the Development of the Function of Music in Jewish Religious Life [Volume 23, Issue 1, 2018, Pages 47-55]
Mousavi, Saeedeh Sadat Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]

Nourani, Mohsen An Analysis of Literary and Philosophical Origins in Wagner’s Operas [Volume 23, Issue 1, 2018, Pages 25-34]
Nourani, Mohsen The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]

Piravi Vanak, Marzieh Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]

Reza Afshar, Hamid Analysis of the Visual Structure of Farhadi’s Films (With analysis of About Eli, A separation and The past) [Volume 23, Issue 4, 2018, Pages 37-46]
Rooyin, Ali Liminality in Hajj's Rituals (The Comparative Analysis of Hajj's Rituals and Features of Expedition Theater) [Volume 23, Issue 4, 2018, Pages 47-56]
Royayi, Talayeh Deconstructive approaches to the concepts ofhistory,legend ,death and place in the movie “Green Fire”by Mohammad Reza Aslani [Volume 23, Issue 3, 2018, Pages 37-48]

Safaie, Sadegh Shelly and Artaud's Narration of The Checi [Volume 23, Issue 3, 2018, Pages 25-36]
Sayyad, Alireza Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]

Tafazzoli, Mohammadreza The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]
Tafazzoli, Mohammad Reza Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]

Zabeti Jahromi, Ahmad The effect of film editing technologies on editing aesthetics: with emphasizing on digital film editing technology. [Volume 23, Issue 2, 2018, Pages 5-14]
Zahedi, Farindokht Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
Zaker Jafari, Narges Improvisation in Iranian Classical Music based on Transcendental Phenomenology [Volume 23, Issue 4, 2018, Pages 67-74]